Kisah Pulau Pinang, the first of the trilogy, begins with the development of Penang as a cosmopolitan port in the nineteenth and early twentieth centuries where diverse ethnic groups interacted and eclectic cultures emerged. Through song and music, the audience is taken to the market where different people interacted, religious buildings (such as the Chinese Kuan Yin temple, Kapitan Keling mosque and the Indian Sri Maha Mariamman temple) which took care of the needs of immigrants. Acheh mosque was alive with the activities of pilgrims who stopped in Penang on their way to Mecca, brokers, ticketing agencies, shops and printing presses. The music is written for the gamelan and wayang kulit ensemble, while lyrics are set to the Penang traditions of boria and dondang sayang as well as the modern rap by the young performers.
槟榔屿的故事Kisah Pulau Pinang (2006), 第一部曲叙述槟城开发的历史，因为天时地利人的情况而形成和多元种族的社会 。同时人们通过各个宗教信仰，生活习俗和生活需求而产生的多元化交流。 表演形式主要是Gamelan和皮影戏的音乐为主，歌词则以槟城闻名的boria，dondang sayang和Modern Rap，由年轻的表演者呈现。
